One of my favorite things to do is take a character, and just see how far I can push the AI to put them in a weird/mundane situation. So here's a some prompts I've been doing recently. In that it makes it a lot different than those other AI, more dangerous in some aspects, and consequently more inline with the gaming forum. Unlike those AI, Novel's has been trained off of game/anime fanart. I had already had a Novelai account due to their text generation stuff (great to use in DnD, highly recommend even outside of image generation), and since I had tried Midjourney/Dall-e before, I decided to check it out. So as of last week Novelai came out with their image generation stuff.
CLOUD STRIFE ART FULL
We finally have a glimpse into the room full of theoretically infinite monkeys on typewriters, and I can't help to peak what they come up with I don't claim any of this art as my own, nor am I suggesting people to profit off of it. I merely just find this tech endlessly fascinating, and often times funny as hell. I mean in no way to replace artists with this thread, and I urge you to support your favorite artists (not just by viewing their twitter). This is highly unethical use of this technology and 100% disagree against that person's actions. I had been working on this thread for the past week and I was questioning doing it due to people's opinion on AI, especially After news of people being assholes using AI tech. It is ever-growing and changing.Now that I got your attention, I want to do a quick preface. I would describe my development as a natural evolving timeline rather than trying to learn a skill. Fans love this character so much that they have created a variety of fan art in his honor. “I have introduced the technique of creating coverage on my paintings with fast repetitive motions. RELATED: Final Fantasy 7: Every Appearance Of Cloud Strife In Other Games, Ranked. I try a technique, often find that I don’t like it, but I stick with it until I make it my own,” Sylve said. “Every time I try to emulate others artist’s style, I don’t like the product. To that point, Sylve eschews formal training or mirroring the masters. “They emphasized the importance of not overthinking and letting the brush do the work.” “What resonated with me the most was that each of these artists found that their technique was best discovered when they let their natural instinct take over,” said Sylve. Creating art feels like my natural state.”Īn autodidact, Sylve reflects on watching films about renowned artists such as Frida Kahlo, Jean-Michel Basquiat, Francis Bacon, George Condo, and Pablo Picasso. My art journey developed merely through the comfort I derived from creating my work. My first medium was the pencil,” Sylve recalled. When I would feel uncomfortable and anxious I would start to scribble, and my parents shortly realized that the best outlet for me was art. “I started my art journey when I was three. There are myriad influences and inspirations swirling through Sylve’s imaginative and intricate paintings. Sylve subverts the archetypal businessman as a skeleton in a suit, staring directly at us as he pops in stark contrast to the lush saturated monochromatic backgrounds. Though unintentional, his Bonsai Businessman portraits hint at the colors and masks of Mardi Gras. Logan Sylve 'Bonsai Businessman 1' (2022)Gouache on paper 14 x 11 inches Chase Contemporary Sylve has spent time with family in Texas and the Southwest, and also borrows from his childhood growing up in Louisiana. The cowboy boots are an homage to the West and Western films.
It’s unsurprising that this work involved multiple iterations, as it underscores how Sylve has quickly honed his style and technique. “The first iteration was inspired by feelings of sadness/unhappiness, but the final product came from a happy and positive place.” It changed form in tune with my emotional state as I was creating it,” Sylve said. “This piece has several underpaintings beneath it, and initially started out as a painting of a woman. Sylve’s emerging maturity as a painter is amplified here, with a composition that confidently sweeps the canvas.
72 x 100 inches Chase Contemporaryĭeliberate orange highlights around the crouching serpentine figure’s jawline, shirt cuffs, pant cuffs, and cowboy boot heels and soles, guide us around Smoke Break (2022), a monumental tour de force that steals the show, occupying a back wall of the gallery. Logan Sylve 'Smoke Break' (2022) Acrylic on canvas.
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